WIZARDENX LEE
# xu3 aup6 5k6 ｜內容工作者
We are the same. / ALIENs:back to the nest. / Understanding Of Range.
A solution business. / Try to dialogue with ourselves. / Come to class.
Angle and perspective. / The Shape of Relationship. / Slower Slower Slower ~
Slide Slide Slide ~
WIZARDENX LEE studio. ( Task Force X-ray )
Pancolour 磐采
2023 . 12 – 2026 . 02
磐碁現在 采繪未來
Pancolour 磐采 25 週年，嶄新企業形象再出發,標誌著一段旅程的成就，也預示著新的起點。
自品牌成立的 25 年來,磐采始終秉持著研發專業的深度與本心。從最初的研究階段,到產品開發、生產以及品質管理，企業團隊一直層層把控，堅守著高品質與穩定性的精萃，以堅韌不拔的精神，持續打磨邁向永續未來的基石。
作為品牌設計與維運團隊，以協助企業能量的凝聚與加值，塑形臺灣 3D 列印 生態系共榮發展為目標，將原始 to B 的營運軸線，擴增交疊至 to C 曝光與供需鏈的延展，讓策略方案經由 「 研發創新、全彩生活、永續未來」的梳理，導入全面媒體、商品化的串聯和產製，進一步接軌民生與趨勢的脈動。
有一天，3D 列印 將會與你/妳的生活，緊密扣連。
Pancolour is celebrating its 25th anniversary with a new corporate identity that honors its past achievements while signaling a fresh start.
Over the past quarter-century, Pancolour has remained committed to professional innovation and unwavering quality. From product development to production and quality control, the company has consistently upheld high standards, establishing a foundation of stability and excellence for a sustainable future.
研發創新 Innovation Development｜全彩生活 Colorful Living｜永續未來 Sustainable Future
品牌設計 / 製作團隊
策略總監 Strategy Director｜李旻哲 Min-Che Lee
創意總監 Creative Director｜曾文廷 Danist Wen
品牌設計 Brand Design｜曾文廷 Danist Wen、張玉典 Dan Zhang
動畫&角色設計Animation & Character Design｜鄭雅云 Ya-Yun Cheng
攝影 Photography｜楊峻翔 Jun-Xiang Young
內容企劃 Content Planner｜李旻哲 Min-Che Lee
行銷支援 Marketing Support｜Mia Chen、Yu Chieng Hong
視覺設計 Visual Designer｜曾文廷 Danist Wen、張玉典 Dan Zhang、石書瑗 Fairy Shih
SERVICES
Brand Identity
Business Strategy
Art Direction
Marketing
Campaigns
Advertising
Brand Guidelines
Copywriting
Cross-Industry Collaborations
Video Production
2D Motion Design
3D Animation
Packaging Design
Innovation Development
研發創新
材料研發的專業根本，奠基著企業拓圈發展的脈動資本，深耕各項延伸技術的串聯與掌握，搭建起 3D 列印資源供需鏈（ 循環 ）中最厚實細緻的底層源頭，並依照各項環境指標之展望，持續性探究回收材料二次應用的循環機會，Pancolour 磐采 將深度落實的籌備未來。
Material development serves as the cornerstone of business growth. Pancolour is committed to integrating and mastering advanced technologies, thereby establishing a strong foundation for the supply and demand cycle of 3D printing resources. In alignment with environmental considerations, the company actively seeks opportunities for material recycling and is diligently preparing for the future.
3D Printing Materials
UV Curable Adhesive, UV Curable Ink, Passive Component Application Pastes
Colorful Living
全彩生活
工業設計的導入促進了 3D 列印技術與產品開發的精練，滿足民生需求並延伸其價值，根據生活樣態分析，如下：
多變（應對需求變化、趨勢和時間的滾動需求）
多樣（應對需求差異性、根本與種類的不同需求）
多元（應對需求相似性、方向與細節的細緻需求）
Pancolour 磐采將建構符合人文需求的線下供需循環鏈，並根據企業階段指標逐步拓展至家庭市場。
The introduction of industrial design has significantly advanced 3D printing technology and product development, effectively addressing consumer needs and enhancing product value. Based on lifestyle analysis, the demands exhibit the following characteristics:
Variable: Responsive to changing needs, trends, and time-sensitive demands.
Diverse: Addressing fundamental differences and diverse needs.
Versatile: Capable of addressing detailed requirements in both direction and specificity.
Pancolour will create an offline supply-demand cycle that aligns with human-centered needs and will gradually expand into the home market based on key company performance indicators.
to B ↔ to C
Pancolour Store, Design Selection
Sustainable Future
永續未來
流量主導視覺,精準引導 3D 列印內容的輸出，整合新聞、專欄、知識、圖片、影音、教學和訂閱等，串聯群眾需求的線上供需循環。各階段的解答將根據平台導流提供清晰的指南，幫助使用者理解需求與路徑。Pancolour 磐采將打造雙向擴展的永續生態。
Traffic drives visual content, precisely guiding the output of 3D printingmaterials. It integrates news, articles, knowledge, images, videos, tutorials, and subscriptions, effectively connecting the online supply-demand cycle of public needs. The platform will provide answers at each stage, offering clear directions to help users understand their requirements and navigate their paths. Pancolour aims to establish abidirectional, expanding ecosystem.
Pancolour Platform, Pancolour Forum
合作串聯－設計選品
3D 列印進入生活，從不僅止於過去面對未來的幻想憑空，時至今日它早已是重新定義民生需求與取得方法的未來常見，在概念與創想都能無限落地時，阻擋我們在層疊堆積後的驚喜，從來只有時間長短的距離。
Pancolour x Mo_&_A
” Function Follows Fun “
「 趣味優先，功能隨行 」
Mo_&_A 是一個縮寫的組合，原文是 Manufacture 製造，加上底線，所以拼組成我們會製造某種東西，接著銜接 and 、底線，還有最後的 A ，它則是 Aesthetic 美學的含義。
他們打定主意的將兩個原本毫不相干的媒材、物件，透過製造與美學的反覆觀察，讓靈光一閃的想像重組、再造出能夠進入你我生活的日常產品。
Ⅲ
Founded in 2022, Mo_&_A specializes in the design and production of metal home objects. The brand focuses on reinterpreting and repurposing everyday hardware components, developing furniture and home accessories that embody local identity and narrative qualities.
In 2025, Mo_&_A established its design studio, MO/A, offering product design services beyond metal materials, further expanding design collaborations with brands and clients.
Pancolour x eggache 蛋疼設計
“ Turning Balance, Shaping Time ”
「 縫隙探索，轉動平衡 」
從產品歷程中體感、體會的字詞出發，形容所謂設計過程裡常存並行的篩除猶疑、嘗試矛盾，以感性目標為契機與動能、用理性路徑堆疊和建立。
eggache 蛋疼設計 在找到絕妙美學之前，更在乎設計的背面，那些市場佈局、個體需求、產品耐性三層之間的相互關係和使用機制，期許「 low-tech 簡單實用性 」的價值，能奠基於產品之於人的本性。
Ⅲ
The name eggache comes from the slang “蛋疼” (literally “egg pain”), which captures the love–hate feeling of doing design: pushing through the grind, yet still chasing ideas with grit.
We believe that in overlooked corners, there are always hidden opportunities. Our work is about spotting needs in the cracks, discovering those fleeting seconds of surprise and emotion in everyday transitions.
Through our products, we aim to turn the ordinary into something fresh, creating new experiences that seamlessly fill the little gaps of daily life.
Pancolour x CC Music Studio
“ Unveil the dimensions, embrace the spectrum “
「 撥開維度，觸碰彩度 」
國樂、西樂、箏樂、弦樂，在音樂的視角裡都是溝通詮釋的方法之一，而傳統、科技之間的距離也會依著想像，完成所有需求與滿足。
CC Music Studio 透過音樂迭代承接著文化的過去歷程與科技的未來可能，也在傳遞的同時期望用「加值文化性」與「疊加變化性」的視角，來閱聽 國樂、古箏 的進程切面，用想像與嘗試建立銜接基礎、牽繫彼此的方式展開。
Ⅲ
We plant seeds and nurture them with care, patiently tending each one as it grows into something new.
The studio continues to explore across boundaries. We create courses and workshops, both online and offline, live lectures, short videos, and podcasts that dive into musical styles and instrumental collaborations.
Each effort weaves new ways to experience and engage with music. Each initiative resonates like a string, weaving a vibrant, evolving story of guzheng and traditional music.
Pancolour x commo
“ Mold the everyday, and sculpt the self ”
「 日常揉捏，塑形自我 」
饞食時間閱歷的階段模樣，是我們對「創作」的想像，而在如實如常的生活之中，紀錄與認識自己的方法好像不僅由文字與影像來獨佔。
陶藝沾黏著用年月碎片扣合、緊靠、拼貼的對話出，自顧自的反覆與腦內的循環滾動，讓一問一答裡的自問自答，塑形出時刻且當下的痕跡，而指印裡的氣力施放也都透過經驗得以驗證和預判。
commo 料想著所有時間的實體重要性，為每一個作品、產品填入了自己的完成日期與生活期許，希冀著在所有的時日裡都能提醒我們大口呼吸的平凡踏實。
Ⅲ
Commo originates from common, symbolizing a closeness to everyday life. Odinary, yet with a quiet difference. It seeks subtle novelty within familiar rhythms and daily frames.
The lowercase letters, shaped in circles, semi-circles, and gentle arches, echo the coiling lines of hand-built clay. Through winding and blending, boundaries fade, and the clay eventually becomes a vessel that holds life itself. This forming technique often vanishes in the final work, existing only in the making — just as clay, to me, has never been the goal, but a medium, a way to look inward and explore outward.
To reveal genuine feelings through the simplest forms. Because life itself is the most profound creation. Commo grows from the common everyday.
Pancolour x Wen Ching Yu 游雯青
“ Echoes in the ravines, revealing the essence within. “
「 溝壑迴響，洞見本真 」
創作者自述在過往學習歷程中，會不間斷地被提醒「溝通」的意義與方法。
那些想說什麼、為什麼而說、要怎麼說的對話路徑，都會透過個人閱歷與生活百態的互相擠壓，產生實體距離的體感，創作者將這份感觸用材料與故事重塑成一件階段量化的片面痕跡，交付出來、面對大眾。
＊我們堆積集體回饋的記憶，平衡消化後，再次進入新一輪「體感交付」的歷程。
藝術家 / 創作者 / 工作者，或者說是每位個體，也許都如 雯青 一般，我們試圖持續性的提取、留存每個階段，自己與自己以外「精神、靈魂」的表層形狀，同時又分秒的確認皮下裡面的「個人份量」。
我們都在裡裡外外中，認識你，也認識我。
Ⅲ
Wen-Ching YU is a visual artist whose practice centers on figurative sculpture, exploring the human spirit and the essence of existence. Through the tactile process of hand-molding clay, she conveys emotions that are direct, raw, and deeply felt.
Her sculptures often retain unpolished surfaces, allowing the subtle imperfections of texture to reveal moments when emotion comes closest to its most authentic state, sensed between touch and sight.
Pancolour x 畸零地工作室 x Nez à Nez
“ Taiwan × France: A Board Game in Taiwanese Hokkien ”
「 臺法雙拼，台語桌遊 」
我們的文化總在向外探詢的過程裡被遺忘，
而隨著可惜的聲浪，又一次次的在滲透後覆蓋。
台語教育與視覺藝術的輝映共融，它其實是相當貼地且自然而然的生活模樣。巷弄、食物、潮濕、悶熱、各種水果，在「台灣感性」的外來視角中簇擁，並回想起原來我們共有記憶裡的溫暖長相，是相同的氣味、相似的濕潤、相仿的聲響。
那些可惜的反省，或許就從深度知足的向內挖掘、考古，讓生活找到文化事實的肯定。
最後從自省中，教育那份對臺灣的自豪。也許這種一點一吋緩和銜接的期許，便是 畸零地 在城市中所扮演的角色之一。
Ⅲ
Ground Zero Studio
Founded in 2017 by visual artist HSU Meng-Yu, Ground Zero adopts community collaboration and artistic intervention as its core methodologies. By bringing together cross-disciplinary talents to develop new ideas and projects, the studio bridges social issues with personal experiences, public spaces with private realms, and the gaps between government commissions and artistic initiatives.
Nez à Nez
Nez à Nez is a creative collective at the crossroads of arts, sciences, graphic design, and cultural mediation. Through exhibitions, workshops, and hybrid formats, the collective develops innovative tools that foster interaction, exploration, and knowledge sharing. Nez à Nez leads projects in France and abroad, including Milky Way Project in Taiwan, a series of design-sprint-inspired workshops created in collaboration with Taiwanese artists to develop new tools for creative expression.
Pancolour x tilapia 吳郭魚事務所
““ Spatial adaptability gives rise to new sub-species. ”
「 空間適性，亞種孕生 」
微觀裡的總觀，
當我們談及空間身處的地方與他方，提及時代刺激下的相容性擾動關係，這些對於文化本格續存與演進彈性的裕度分寸，會不會有著那份當代共榮共識的公式呢？
像是矛盾對決中的各種假定與拉鋸，在平衡點被支撐、攤平的過程中，也許存在某些犧牲奉獻與眾多意願的投注，而這些之前的之前，先用民生需求的行為起點，搭建有形無形的互動場域，再從行為與場域裡製造人群之間可以分享適用的氛圍實體，或許便是 吳郭魚事務所 對於 “ 空間設計 ” 之於 “ 地方、他方 ” 意義與能量匯聚的識別提案。
“ 空間，始終環扣著地域性文化的推展與交付功能。”
Ⅲ
Is a design company specializing in space and its extended fields, including architecture, interior design, furniture, and daily objects. We focus on the adaptability of design across different scales and contexts, making it the core of our philosophy and practice.
The brand name is inspired by the biological traits of the “tilapia”— its high adaptability, which allows it to evolve into a suitable form in response to environmental changes. We hope that every one of our designs possesses the same flexibility and responsiveness, enabling it to function appropriately for different users, settings, and cultures.
